Brandon Lake
ToursKing of Hearts Tour — six-camera cinema capture with live color, every ISO recorded nightly.
Who we serve · Tours & Live Recordings
Every night is a recording.
A camera system that travels with the show, looks the same in every room, and hands you a release-ready capture after every night.
A camera system that travels with the show, looks the same in every room, and hands you a release-ready capture after every night.
What these shows need
Three things a tour asks for.
The need
“It has to look the same in Tulsa as it did in Austin.”
How we answer it
One camera plot, one lens set, one LUT, one crew — advanced per venue so the wide, the lip shot and the grade hold across the run.
Cinematic Capture & BroadcastThe need
“We want a capture that is actually worth releasing.”
How we answer it
Cinema bodies and glass on a broadcast backbone, recorded ISO-by-ISO and ingested every night so the tour cuts like a film, not like coverage.
Cinematic Capture & BroadcastThe need
“The crew has to fit the touring family.”
How we answer it
Directors and operators who have lived on buses — small, steady, and in the room for the whole run.
About · How we workFrom this world
Shows like yours.
For the production office
A typical system.
What we usually bring to this kind of show. Every build is designed case by case — this is the starting point, not the package.
- Cameras
- 4–8× RED Komodo-X 6K + Canon CR-N500 PTZ · Canon Cine-Servo 50-1000, 25-250, 15-120
- Movement
- Handheld on Easyrig · Teradek Ranger wireless · AGITO or DEFY dolly · Steadicam on capture nights
- Switching
- 8K Production Flypack — ATEM 8K Constellation, 4 M/E, 80×80 12G router, fiber rack
- Live color
- Cyanview / LiveGrade shading + colorist
- Record
- 8–10× Hyperdeck Pro 12G — every ISO + program, nightly
- Comms
- 2× Riedel Bolero 10-pack
- Crew
- 4–5 touring — video engineer, 2–4 ops · colorist at rehearsals and the opening shows · local op per city
Cameras · LED · streaming · crew