Phil Wickham
Television"Hallelujah! It's Christmas!" — ten Komodo-X, AGITO and Steadicam at The Wiltern for Samsung TV Plus.
Who we serve · Film & Television
Built for the lens first.
Cinema camera systems, LED volumes and broadcast paths for music videos, commercials, live television and premieres — run by the same crew that runs the show floor.
Cinema camera systems, LED volumes and broadcast paths for music videos, commercials, live television and premieres — run by the same crew that runs the show floor.
What these shows need
Three things a shoot asks for.
The need
“The set has to behave like a stage, and the stage like a set.”
How we answer it
LED volumes and playback tuned to the camera — pitch, refresh, genlock and color — so the wall reads as world, not as a screen.
LED, Projection & DisplayThe need
“Live television does not get a take two.”
How we answer it
Broadcast switching, redundant paths and satellite or stream delivery from a team that does it every week in arenas.
Cinematic Capture & BroadcastThe need
“The look has to hold from the monitor to the master.”
How we answer it
On-set color management and delivery specs agreed up front, so what the director approves on the day is what airs.
Cinematic Capture & BroadcastFrom this world
Shows like yours.
For the production office
A typical system.
What we usually bring to this kind of show. Every build is designed case by case — this is the starting point, not the package.
- Cameras
- 6–10× RED Komodo-X · ARRI Alexa 35 packages · Sony HDC-5500 chains for broadcast
- Movement
- AGITO or DEFY dolly · Steadicam · jib · Teradek Ranger wireless
- LED
- ROE BO2 2.8 mm walls · Brompton SX40 · genlocked playback
- Switching
- 8K Production Flypack · EVS XT-VIA instant replay · Cyanview RCP shading
- Stream
- Boxcast encode · captured for broadcast delivery
- Crew
- 20–25 on a special — director, EIC, engineers, colorist, 8 ops, ACs, utility
Cameras · LED · streaming · crew