Technocrane on a stadium field during a commercial shoot
Who we serve · Film & Television

Built for the lens first.

Cinema camera systems, LED volumes and broadcast paths for music videos, commercials, live television and premieres — run by the same crew that runs the show floor.

Cinema camera systems, LED volumes and broadcast paths for music videos, commercials, live television and premieres — run by the same crew that runs the show floor.

What these shows need

Three things a shoot asks for.

01
The need

“The set has to behave like a stage, and the stage like a set.”

How we answer it

LED volumes and playback tuned to the camera — pitch, refresh, genlock and color — so the wall reads as world, not as a screen.

LED, Projection & Display
02
The need

“Live television does not get a take two.”

How we answer it

Broadcast switching, redundant paths and satellite or stream delivery from a team that does it every week in arenas.

Cinematic Capture & Broadcast
03
The need

“The look has to hold from the monitor to the master.”

How we answer it

On-set color management and delivery specs agreed up front, so what the director approves on the day is what airs.

Cinematic Capture & Broadcast
For the production office

A typical system.

What we usually bring to this kind of show. Every build is designed case by case — this is the starting point, not the package.

Cameras
6–10× RED Komodo-X · ARRI Alexa 35 packages · Sony HDC-5500 chains for broadcast
Movement
AGITO or DEFY dolly · Steadicam · jib · Teradek Ranger wireless
LED
ROE BO2 2.8 mm walls · Brompton SX40 · genlocked playback
Switching
8K Production Flypack · EVS XT-VIA instant replay · Cyanview RCP shading
Stream
Boxcast encode · captured for broadcast delivery
Crew
20–25 on a special — director, EIC, engineers, colorist, 8 ops, ACs, utility

Tell us about the show.

Start a project

We reply within one business day. Los Angeles · Nashville · 818-538-7778 · info@conceptpixels.com

Start a project