Elevation Worship
WorshipElevation Nights — LED environment and multicam capture across the tour.


The creative team wanted every night to feel like the film — handheld and close at the stage, wide and patient over the room — with IMAG that never looked like coverage. And they wanted to walk out of the run with live recordings ready to release, not a hard drive full of raw ISOs.
The creative team wanted every night to feel like the film — handheld and close at the stage, wide and patient over the room — with IMAG that never looked like coverage. And they wanted to walk out of the run with live recordings ready to release.
A six-camera RED Komodo system designed for the release first: Canon Cine-Servo long glass at front of house for the wide and the follow, handheld operators on Easyrig at the lip of the stage over Teradek wireless, all cut on a Blackmagic 8K flypack and shaded live through Cyanview so the room saw the same picture the record did.
Ten Hyperdecks recorded every ISO and the program each night, color-managed to one look across 48 arenas. For the final stop in Charleston the system grew — a V-Raptor, Steadicam, drone and an eleven-person crew — to capture the live album.
Six RED Komodos designed for the release first: Canon long glass at front of house, handheld on Easyrig at the lip of the stage, cut on a Blackmagic 8K flypack and shaded live through Cyanview. Ten Hyperdecks recorded every ISO nightly across 48 arenas; Charleston grew into the live-album capture.







Official uploads from the artist, the church or the brand — the show as it went out. Nothing loads from YouTube until you press play.





Bodies, glass, movement, signal path and crew — the spec a PM would ask for on the first call.
We reply within one business day. Los Angeles · Nashville · 818-538-7778 · info@conceptpixels.com