Harvest with Greg Laurie
FestivalsSoCal Harvest Crusade — scenic LED and disguise redundancy at Angel Stadium.

Eight arenas a run, twice a year. The ask is a highly cinematic capture of the night that serves the moment on stage — never our own taste pushing against what the tour needs. That means multiple director-station M/Es cutting for different surfaces at once: IMAG on the side screens on one bus, a treated program for the disguise-driven scenic surfaces on another — and sometimes one camera held as the hero shot for an entire segment, because that is what the moment calls for. For Pastor Steven Furtick's speaking segments we match what he is used to at the Ballantyne campus: full-screen assets, lower thirds and prompters, so nothing feels different on the road.
Eight arenas a run, twice a year, and a capture that serves the moment on stage — never our own taste pushing against what the tour needs. Multiple director-station M/Es cut IMAG on one surface and a treated program for the disguise scenic surfaces on another; sometimes one camera holds as the hero shot for a whole segment. For Pastor Steven Furtick's speaking segments we match the Ballantyne campus: full-screen assets, lower thirds and prompters.
A ROE Vanish V8T scenic wall — transparent enough to light through, dense enough to carry content — flanked by Carbon CB8 IMAG screens, all on Brompton SX40 processing. Content runs from a disguise GX3 / EX3+ redundancy pair on a routed backup path, so a server failure is a switch, not a blackout. Lyrics come in from ProPresenter through a Barco ImagePro.
Five RED Komodo-X on Canon 50-1000 and handheld glass, plus Canon PTZ heads for the wide and the band, cut on the 8K Production Flypack across separate M/Es — IMAG for the side screens on one, a treated program for the scenic surfaces on another — and shaded through Cyanview, with a colorist setting the look at rehearsals. Every ISO to Hyperdeck nightly. Seven tours in, the rig loads in a morning and the crew that designed it runs it.
A ROE Vanish V8T scenic wall flanked by Carbon CB8 IMAG on Brompton SX40, fed from a disguise GX3 / EX3+ redundancy pair — a server failure is a switch, not a blackout. Five Komodo-X plus PTZ on the 8K flypack, cut across separate M/Es for IMAG and the scenic surfaces, shaded through Cyanview. Seven tours in, it loads in a morning.






Official uploads from the artist, the church or the brand — the show as it went out. Nothing loads from YouTube until you press play.






Bodies, glass, movement, signal path and crew — the spec a PM would ask for on the first call.
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