PDX Crusade

Eddie Suparman designed the show in the round: a ROE Graphite GP2 upstage wall sixty-nine feet wide, a second GP2 screen facing the back of the bowl, Carbon CB8 channel walls and a cap down the sides, a GP2 fascia along the stage lip and a cross-shaped floor of 276 ROE Black Marble BM4 tiles under the artists — 983 tiles, most of them flown. Nine Brompton SX40 processors drove it, with two redundant disguise EX3+ server packages programmed by PXLBOX and three Barco E2 Gen II frames run by Scout Playback feeding every surface, the IMAG picture-in-picture and the lyrics.

Volt Lighting carried the lighting and rigging package, with Bridge Six engineering the rig — more than a hundred chain hoists over the arena floor, Elation Fuze Max and Proteus Maximus fixtures, 201 Chauvet Color Strike M and grandMA3 control. Spectrum Sound built the 360-degree JBL VTX system on four DiGiCo Quantum338 consoles. Jacob VanVlymen of SHDWBX drew the production drawing set every department worked from.

IMAG came from a nine-camera Sony HDC broadcast package cut in a truck arranged through Harvest, directed by Eddie Suparman; Concept Pixels supplied the DEFY Rhythm track dolly, the camera pedestal and risers and the rigging for the Dactylcam cable camera. Ten production trucks, about 120 crew and the Moda Center's IATSE Local 28 calls loaded it in over three days. The church released the full 4K recording after the run: 35,000 people over three sessions, 3,200 decisions.